Free Webinar: Creating Custom Facial Rigs in Anime Studio Pro 9
Presented By: Vern Zehr, Animator, Illustrator and Web Designer
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The Third Shift
The Third Shift is, at first glance, a story told through images in a calendar. But it's only part of a larger tale. The calendar is just a sample imagery found in the monthly stories that appear from the minds at Cryptonym Media, projected through eerie stereoscopic compositing. The creative writing and compositing are packaged into a tactile, technological, and interactive experience.
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The Art of the Trailer: Two Years in 30 Seconds
The trailer plays a major role in the marketing and ultimate success of a feature motion picture. This on-screen advertisement is so engrained in popular culture that most of the time it is taken for granted by movie goers. But industry marketing veterans know the trailer is the first and last chance to create a lasting impression on an audience. Most trailers range in length between 30 seconds and two minutes. It's within that short time span that the viewer will pick up on hundreds of cues about the movie. In the blink of an eye he will determine the genre, the gist of the story, the aesthetic and level of production. By the end of the trailer the viewer might well determine the fate of the movie. Is it a must-see or to-be-avoided?
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AFTER EFFECTS APPRENTICE
Trish and Chris Meyer have been writing books for Adobe After Effects users for several years. Their After Effects Apprentice book is currently in its third edition, which covers Adobe's current version of After Effects, CS6. This also offers lessons for those who may be using earlier versions of the software. The book is not only for the "Aspiring" motion graphics artist, but for anyone who wants to improve their all-around skills in the popular animation software.
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It's Hell on Wheels at FuseFX
The second season of Hell on Wheels continued its epic story of post-Civil War America, focusing on Cullen Bohannon, a former Confederate soldier, and his dramatic journey west as he struggles to leave his past behind. The building of the transcontinental railroad serves as the backdrop to the entire series. The scope and challenges of the expanding railroad were critical to the storytelling and couldn't be achieved without the resourceful use of visual effects provided by FuseFX. At the center of the traveling town are the trains. Production built full scale replicas of the period trains and laid down a few hundred feet of track to support tight shots and moments when the train isn't moving. But almost all shots showing wider perspectives and moving trains was achieved with CG models of trains and railroad tracks composited into live action backgrounds.
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Coca-Cola's 2012 Euro Cup "Spirit of the Euro" Commercial Rockets to Life with DaVinci Resolve
Coca-Cola's 2012 Euro Cup "Spirit of the Euro" commercial is an animated wild ride that captures the excitement, fun and craziness of the soccer tournament and its fans. In the spot, a very passionate fan zooms through the sky in a Coca-Cola powered soccer boot, releasing soccer ball bubbles in its wake that turn all they touch into deliriously enthusiastic soccer fans. Produced by Portland, Oregon based BENT IMAGE LAB and directed by Carlos Lascano, "Spirit of the Euro" is a highly creative and exciting commercial that required equally intense and vibrant color to bring it to life, which was achieved thanks to Jalal Jemison, BENT's lead colorist, and Blackmagic Design's DaVinci Resolve color correction software.
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05/23/13
jhd Architects Gain Consent To Convert A Listed Kent Pub Building Into Two Homes 'Against All Odds'
05/23/13
jhd Architects Gain Consent To Convert A Listed Kent Pub Building Into Two Homes 'Against All Odds'
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