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Performance Arts and 3D &360VR Technology Join Forces to Give Viewers a Truly Immersive Experience in "The Cabiri Anubis" Fil
Performance Arts and 3D &360VR Technology Join Forces to Give Viewers a Truly Immersive Experience in
Both Virtual Reality (VR) 360 and 3D have the power to engage audiences in the action and emotion of a film narrative or performance, but combine the two together and you can create a compelling and highly immersive experience that brings the audience directly into the "reality" of the scenes. This is exactly what film producers and directors Fred Beahm, www.fredbeahm.com, and Bogdan Darev, www.bogdandarev.com, have done in "The Cabiri: Anubis", a 3D/360VR film, now showing at the Seattle International Film Festival's (SIFF) VR Zone, www.siff.net, on May 18 through June 10. Read More

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Media Content and the Web - Meeting Again for the First Time with VR Casting
Media Content and the Web - Meeting Again for the First Time with VR Casting
Until recently, VR video creators have only been able to distribute content by developing their own apps for sharing. This is a very time intensive, tedious journey and it has presented a major barrier for the next generation of digital content pioneers, preventing them from bringing their productions into the world and reaching broad audiences. However, in February, Pixvana, a Seattle-based company that's powering the future of XR storytelling, introduced a new technology that eliminates this barrier for the creators of immersive media, and makes the distribution of VR content feasible for the masses. Read More
Product Review:
SCRATCH VR
SCRATCH VR
Have you participated in The Void experience at the Disney locations in California and Florida? My friends have been talking non-stop about it for weeks, and it seems people are finally catching on to how immersive an experience VR can be. If you have a 360-degree camera rig, we are at the point now where what was once a neat little gimmick has become a serious contender in the quest to capture viewers. While there are applications that are just starting to introduce the ability to work with 360-degree video, Scratch VR from Assimilate just may be the best application for your next (or first) project. Read More
Feature:
PixelSquid Assets' New Price
PixelSquid Assets' New Price
PixelSquid is changing its subscription model, but in a good way. While it may be true that the price per month is going up, the customizable library of options has gone up as well. For an increase of $5/month over the current subscription cost, new users are coming to PixelSquid with about 4x the options to place 3D objects in their comps. Even better - - if you're already an active subscriber, there's no price change - - and you know about the regularly growing library options. (* if you're new, you can get in on the old price before the change(below)). Read More
Project Profile:
Trick or Treat: Trick Digital Tackles Visual Effects for "Jeepers Creepers III" with Fusion Studio
Trick or Treat: Trick Digital Tackles Visual Effects for
The chills continue in "Jeepers Creepers III," the latest film in the "Jeepers Creepers" franchise. The Creeper was first introduced to audiences in 2001 when it terrorized siblings Trish and Darry Jenner. It then returned to the big screen in 2003 when it attacked a school bus full of high school basketball players and cheerleaders. Now in the third installment, "Jeepers Creepers III" shows what happened in the days between the first two movies when the Creeper was still hunting for victims. Adam Clark of Trick Digital was the film's visual effects (VFX) supervisor who was tasked with bringing the Creeper to life in the new film. Read More
Feature:
Take a VR / 3D Tour of Vogue Super Model Closets
Take a VR / 3D Tour of Vogue Super Model Closets
ROGUE, a creative boutique in NYC (www.postgonerogue.com), specializes in high-end production and post-production for film, advertising, and digital. Since its founding two years ago, Executive Creative Director, Alex MacLean and his team have produced a large body of work demonstrating their expertise in Color Grading, Finishing and Visual Effects with clients like HBO, Vogue, Google, Vice, Fader, and many more. For the past three years MacLean has also been at the forefront of VR/360 content for narratives and advertising, and understands the challenges and rewards of post artists working in VR. Read More

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